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Author : Gregory F. Barz, Timothy J. Cooley

Date : 2008-09-09

Page : 348

Rating : 5.0

Reviews : 4

Category : Book

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Shadows in the Field New Perspectives for Fieldwork in  ~ Shadows in the Field deliberately shifts the focus of ethnomusicology and of ethnography in general from representation text to experience fieldwork The new fieldwork moves beyond mere data collection and has become a defining characteristic of ethnomusicology that engages the scholar in meaningful human contexts
Shadows in the Field  Gregory F Barz Timothy J Cooley  ~ Shadows in the Field deliberately shifts the focus of ethnomusicology and of ethnography in general from representation text to experience fieldwork The new fieldwork moves beyond mere data collection and has become a defining characteristic of ethnomusicology that engages the scholar in meaningful human contexts
Shadows in the Field New Perspectives for Fieldwork in  ~ Shadows in the Field deliberately shifts the focus of ethnomusicology and of ethnography in general from representation text to experience fieldwork The new fieldwork moves beyond mere data collection and has become a defining characteristic of ethnomusicology that engages the scholar in meaningful human contexts
Shadows in the Field  UNAM ~ Shadows in the Field in its first edition a varied collection of interesting insightful essaysaboutfieldworkhasnowbeensignificantlyexpandedandrevisedbecoming the first comprehensive book about fieldwork in ethnomusicology Because ethnomusicologists think of fieldwork as the defining activity of their endeavor one
Shadows in the Field  New Perspectives for Fieldwork in  ~ Shadows in the Field New Perspectives for Fieldwork in Ethnomusicology Associate Professor of Musicology Gregory F Barz Gregory F Barz Timothy J Cooley Associate Professor Department of Music Timothy J Cooley Limited preview  2008
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Shadows in the field  new perspectives for fieldwork in  ~ Shadows in the field  new perspectives for fieldwork in ethnomusicology Gregory F Barz Timothy J Cooley  This work written by ethnomusicologists considers fieldwork as an issueladen practice rather than as a methodology requiring a prescriptive manual
Tim Cooley  Department of Music  UC Santa Barbara ~ His book Shadows in the Field New Perspectives for Fieldwork in Ethnomusicology coedited with Greg Barz Oxford University Press 1997 and second edition 2008 is a standard text for students of ethnomusicology
Shadows in the Field New Perspectives for Fieldwork in  ~ Shadows in the Field deliberately shift the focus of ethnomusicology and of ethnography in general from representation text to experience fieldwork The new fieldwork moves beyond mere data collection and has become a defining characteristic of ethnomusicology that engages the scholar in meaningful human contexts